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Alexandra Palace

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The ceiling of Ally Pally's newly restored theatre space
Photo: Keith ArmstrongThe ceiling of Ally Pally's newly restored theatre space
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Time Out says

This palatial venue is back in action, with a newly renovated theatre serving up a mix of gigs and plays

Commonly known as the 'People's Palace' or Ally Pally, Alexandra Palace looks out over north London from a height. Its altitude rewards casual walkers with spectacular views, and its commanding location and 190-odd acres of leafy parkland mean it's often mistaken for a magnificent palace of regal importance.

In reality, it's an offbeat arts/entertainment centre that's making a renewed bid to pull in Londoners for nights out, after decades in the doldrums. In 2018, it re-opened the massive theatre space that had been out-of-action for decades, giving it a makeover that left its most picturesquely crumbling bits intact. In the years since, it's offered a mix of touring large-scale plays, seated gigs, and kids shows. The adjoining East Court is back in action too, offering an airy conservatory-like space where theatregoers can drink, mingle and take tea. These additions join the venue's existing indoor ice-skating rink, expo hall and a vast gig space where you can catch big names and the odd clubbing event. 

The renovation has marked a new chapter in Ally Pally's troubled history. Built in 1873 as a palace for the people, it has experienced bad luck including two devastating fires (the first just two weeks after it opened; the second in 1980 after it was rebuilt), years of poor funding and periods of bad management.

Despite this, Ally Pally continues to hold a spot in the heart of Londoners, and a proud place in history as the birthplace of the world's first regular public television broadcast by the BBC in 1936. There's a bonfire night every year, a boating lake, pitch and putt course, and deer enclosure.

Details

Address:
Alexandra Palace Way
London
N22 7AY
Transport:
Tube: Wood Green
Price:
Free
Opening hours:
Times vary dependent on event. Check the website for details
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What’s on

Alexandra Palace Fireworks Festival

  • Festivals

The Alexandra Palace Fireworks Festival is easily one of the biggest, baddest displays in town. As ever, the display will be set to music, which is usually curated by a big-name DJ, making the always impressive fireworks exploding with a glittering panoramic view of London as its backdrop even more special. There’ll also be warming street food, a light show from Lords of Lightning, and a huge German Bier Fest with sets from tribute acts Joel Coombes: Elton John and Rogue Minogue: Kylie, DJ sets from Fat Tony and DJ Spoony and a drag party with iconic drag queens Jonny Woo and John Sizzle.  Find more fireworks displays in London

Treason the Musical

  • Musicals

Not a whimsical all-singing tribute to treason in all its forms, but rather a new musical about the Gunpowder Plot, which touches down at Ally Pally a shade after Bonfire Night as part of a UK tour. Created by Ricky Allen, ‘Treason’ began life as an EP of songs, then received concert stagings in 2021 and 2022. This tour, however, is its first full staging. In terms of the plot… well, you presumably already know: angry Catholics attempt to blow up the Houses of Parliament, fail spectacularly, sing about it.

A Christmas Carol: A Ghost Story

  • 3 out of 5 stars
  • Drama

This review is from 2021. ‘A Christmas Carol: A Ghost Story’ returns in 2023 with a new cast headed by Keith Allen as Scrooge and Peter Forbes as Marley. There are currently (at least) four stage versions of Dickens’s ‘A Christmas Carol’ being performed in London (not including screenings of the superlative Muppet one). The two biggest are the now-landmark production at the Old Vic, this year featuring Stephen Mangan. And then there’s this adaptation by Mark Gatiss (you know, ‘Sherlock’ etc), which premiered at Nottingham Playhouse, before heading south. And it’s good. Alexandra Palace’s ruin-lust theatre is the perfect raddled backdrop – its faded Victorian glories and pockmarked plaster chime atmospherically with the set of perilously towering wooden filing cabinets, a kind of Monument Valley to Ebenezer Scrooge’s dry record-keeping.  Paraphrasing the book’s original name (‘A Christmas Carol. In Prose. Being a Ghost Story of Christmas’), Gatiss sets out his stall explicitly: this is a production that harps on the ghostly nature of the story as much as the ‘God bless us, every one’ crimbo cheer. There are genuine chills as Marley’s ghost (Gatiss himself) materialises in the corner of Scrooge’s bedchamber, before the Spirits of Christmas Past, Present and Yet to Come do their thang. ‘His Dark Materials’-style ghouls flit among the audience, and the Spirit of CYTC is a really horrifying shrouded figure, grimly pointing Scrooge to his own corpse, burial and gravestone.   Nichol

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